Where’s Roxy Gordon?

3341388I looked for Roxy Gordon’s website today, and couldn’t find it. I’ve written his wife, Judy, for more information. I still can’t write about Roxy, who’s dead and buried outside of Talpa, Texas, near his “house up” home/campsite in West Texas. It’s one of those small, flat-top hills with the mesquite-desert spaces in between. Roxy was a writer-artist-musician-poet. Even more important, he had what Indians call medicine. People in Asia would say he was a man of The Way. He knew some things.

Here’s a link to Smaller Circles, his poem/talking word song (also the title for a book of poetry).

Here’s a poem/talking word song Indians.

Here’s a story written upon his death by a Dallas friend.


l                                                                       Roxy Gordon,  Dallas, circa 1980s

a poem by Roxy Gordon

Judy and I came back to Texas from
California in 1970. We stayed for
a while with my grandparents. The
highway through their place was
widening and my grandfather wasn’t
able to move the fence, so I did. I
was in the pasture one fall day, sawing
up an old telephone pole to use for
corner posts–when I realized
someone was watching me.
I looked to see who and could see no
person, but instead I could see
an area of some disturbance in
my vision perhaps fifty yards
away, up by a bunch of prickly
pear. I tried to see; I could
see no better. But then, there
came to me another way of seeing,
without my eyes which still saw
only a vague disturbance. Some
other part of me saw a man.
He was an Indian, or I think a man before
Indians were identified as such. He
was short and stocky. His hair
was loose and long and tangled badly. He
was very dirty. He was naked.
We watched one another.

Roxy “Coyote Boy” Gordon, writer-poet-songwriter

Drawing by Roxy Gordon

This post is long overdue, because in some way I refuse to accept that the Coyote Boy is gone. His life was very intense, but surrounded by a calm circle, a powerful aura that honored the idea of one-of-a-kind. He was a writer, artist and singer-songwriter. Sometimes Breeds, Smaller Circles and other of his books can be found on ABE, the used book website


I’m reprinting two pieces by Roxy that give a feel for how he saw the world. Later, I’ll publish some of his poetry, which comes from the “Tough School” of poetry.





The West Texas Town of El Paso

by Roxy Gordon

[Edited by Judy Gordon]

This all starts in San Francisco, North Beach, hanging out with famous writers.

In those days I still wore western shirts, couldn’t buy one there. I decided it

was time to go home. We left in a little red Ford full of a dog, cats, two of

our friends and our new born baby. A big rent trailer on behind. Nobody but

me seemed willing to drive. We got lost in some town in Wyoming, middle of

the night. A policeman stopped us, looked into the car and couldn’t believe what

he saw. He figured the best thing to do was help us out of town. Before the sun

was up, I was seeing trees in the middle of the highway. We found Denver,

spent a day recovering and headed over Raton Pass. We made Texas, spent

some time building a fence, and decided to go back to San Francisco. We

stopped south of Santa Fe and had a conversation, decided Albuquerque, but

we couldn’t find anybody we knew there. Judy had never been to El Paso. I was

young and stupid, said let’s go.

We made El Paso middle of the afternoon, bought a newspaper and found a

trailerhouse for rent out on the river road. It was cheap. We moved in two

hours later. The bathroom overflowed. And we were right next to a railroad exchange.

Not good for sleeping.

Judy got a job in a printshop. She had learned typesetting in Austin, when she

worked for Bill Wittliff’s Encino Press. Wittliff wrote the screenplay for

Lonesome Dove. We decided to move out of that trailerhouse, found an ad in

the paper for a house on Blanchard. It was a big, beautiful house just across the

street from the University of Texas at El Paso. It was on a hill; from the side

porch, you could see Juarez and the Franklin Mountains. The old lady who

owned it was from Mexico. She could hardly speak English. She lived in a little

house out back. She spent most of her time in Mexico. She was gone when her

house was broken into. I called the cops and a kid came. He stationed me at the

front door to catch the burglar if the kid could run him out. Like a fool, I

actually stood there. Then Judy set herself on fire – blazing grease on the

kitchen stove.

Judy worked at the printshop and I changed my kid’s diapers. My first book,

Some Things I Did, arrived in the mail. It was published by Bill Wittliff. I set

it on top of the refrigerator. The little TV was on top of the refrigerator. We

watched Ed Sullivan.

My guitar amplifier picked up a radio station. We listened to that and watched

Gunsmoke on TV. One day I called Judy to the window to see a very tall, pretty

girl hitchhiking. She wore black leather shorts. She passed up several cars for a

guy on a motorcycle. One day, I walked across the street to UTEP. I went to the

student union, looked at the students. They looked like students I’d seen from UT

to California to Minnesota. They are all grandparents now. My friend, David

Phillips, called me to say he and his wife, Carol, were about to visit her mother in

El Paso. I drove down to try and find them, found David walking up the street

looking like Kris Kristofferson. Later, we went to Carol’s momma’s house. She

told me my writing informed her generation about what our generation was all

about. Carol and David divorced after that and Carol told me David and I were

too Texan for her to stand. Last I heard, she was in New York writing songs.

The freezeplugs rusted out on the Ford. I let it sit for a couple of days, then

fixed it with some kind of plastic goo. I got a job at an advertising agency,

writing print and TV. Judy got fired from her job because she mixed up pages

on a book. I walked to work in bright El Paso sunshine, got there every morning

for a meeting. Roy Chapman ran the agency. He’d been the host of a kids’ TV

show in El Paso. It was called Uncle Roy. He was not my idea of an uncle. He

was a mean old man, kept telling me to get out of my chair at the meeting so he

could sit down. My co-writer was a middle-age German who lived miles south

in Mexico, but spent the week in El Paso. The agency had two major accounts,

a bank in El Paso and Weaver Scopes. The German and I made up TV

commercials for the bank, had apples and oranges rolling around. I wrote a

piece for Weaver rifle scopes. Somebody rewrote it. Whoever did not

understand how scopes work. I had a fit. That may have been the beginning of

the end of my advertising career.

Judy and I drove the plastic-fixed Ford around El Paso. We saw pretty girls

walking on the streets. We saw cripples. We went to the dollar drive-in movie,

three for a dollar. Went to the A&W Root Beer Drive-in. We walked on El Paso

Street, had beggars after us. One afternoon a young woman tried to sell us her baby.

We left in the wounded Ford and headed north for Albuquerque. Marty Robbins,

I have been to the city of El Paso.


(Published by Coleman Chronicle & DV, 29 December, 1998.)


Why There Were So Many Presidents of the U.S. on The Fort Peck Reservation

by Roxy “First Coyote Boy” Gordon

(With thanks to Walley Cantrell, Edited by Judy Gordon]

About a hundred years ago, the white Bureau of Indian Affairs decided Indian kids

needed to go to what they called boarding school. Those kids, little kids and old,

were taken away from home to live nine months a year at boarding school.

The Indian agent would send his police to round-up all the kids and what some

of the parents did was round-up the kids and head for the hills. But the cops

would catch most and put them into a wagon to head for boarding school.

They deloused these kids and dressed them civilized, cut their hair and took

them off to learn white men’s ways.

One time a bunch of little boys got rounded-up at Fort Peck, Montana. Those

cops put them in a big room at the boarding school. The kids huddled up all

close together and didn’t know what to do.

After awhile, a big boy came by. He’d been at boarding school before. He

decided to play a joke on the little boys. The big boy said, “Listen, if you

don’t tell them your names, then they’ll let you loose and you can all go home.”

The little boys thought that was a good idea.

So the teachers took them into a big room and a man with a big book asked

them, “Tell me your names.” No little boy would say a word. They thought by

being quiet, then they could go on home.

But then the superintendent saw they wouldn’t say anymore, so he locked

the door and went looking for help. The superintendent found a priest and

asked them what they might do. Those little boys needed names. “At least,”

the priest said, “I can name a few.”

The priest said to the little boys, “I’m going to give you big time names. You

will never be ashamed.” “You,” he said, “you over there with the brown hair,

you are George Washington. You with the red shirt, you are Thomas Jefferson.

You with no front teeth, you are Teddy Roosevelt. And you the one with

worn-out cowboy boots, you are Abraham Lincoln. You with the green eyes,

you are Andrew Jackson. You by the window, you are John Adams.” The

priest went on and on.

The little boys didn’t know what to do. They were still named things like

Afraid Of His Tracks and Horse’s Ghost and Ground Squirrel and names like

that. But after they stayed a few years at the school, they got used to their new

names. And they kept on using those names all their lives.

So that’s why, 50 years later, George Washington, Thomas Jefferson, Teddy

Roosevelt, Abraham Lincoln, Andrew Jackson and John Adams all lived up in

Montana on the Fort Peck Reservation.


Two Dreams:

 Roxy Pays a Visit

Jan. 9, 1989

     b83038db6296825b9bc194ce81f58133My friend, the writer Roxy Gordon, and I are standing beside each other, watching life-sized skeletons dancing in the air. The sounds of rattling bones surround us. Suddenly, I turn into an owl, and I hoot three times deeply, hoo, hoo, hoo. Then I’m awake in my bed, and I’m still hooting in the dark. Who, who, who?


Fly Me to the Moon

May 27, 1989

     I’m in a small room talking with a monk. He doesn’t want to answer my questions. He’s called away and leaves me alone in the house. I look through the rooms for books, poems or writing of any type to read. I find a magazine and some old books about stars. I see a scroll painting sticking out from under the monk’s bed. I feel cheap and phony for nosing around behind his back.

Then the monk returns, and we are standing outside in the dark. There’s a threat of danger from somewhere, and the monk says, okay. Suddenly, we’re flying through the vast, cold sky with the moon on our right. We fly through space until we suddenly enter heaven. We turn around and fly faster, downward toward Earth. Then a spacecraft is shooting at us. The monk creates a cloud cover to enter Earth’s atmosphere undetected. Suddenly, I notice several hundred babies are flying behind us and they are in our care — all pure and ready to be born.

When we land on Earth, the babies disappear, and I say, “Be careful, they’ll try to get you.” Then I’m back in the monk’s room. We’re aware someone is searching for us, and we have to leave.




Frank X. Tolbert 2: His Art

My friend Frank X. Tolbert has always been one of my  heroes, and I’ve missed him a lot in recent years. He lives in Houston. His father was a famous journalist with the Dallas Morning News. Frank is one of those people who nourishes your soul when you’re around him, and he doesn’t have any clue what he’s giving to you. Frank and I shared a friendship with a man who was a hero to both of us: Roxy Gordon, a writer, poet, and another one of those people who give you things without knowing it.

Here’s a few samples of Frank’s work. See his Facebook website here for a taste of X’s style. See more of his art here.

Frank X. Tolbert, standing on the right, with one of his large paintings in the background.

Frank X. Tolbert, standing on the left, with one of his large paintings in the background.

Frank, on the right, with an artist friend

Frank, on the right, with an artist friend


A painting of Roxy Gordon by Georgia Stafford.

A painting of Roxy Gordon by Georgia Stafford.

Go here to see a sample of some of Roxy Gordon’s poems and writing and check him out on Amazon for some CDs of his poetry-songs. Note the death mask in the right corner.