Let There Be A Big Bend For All

A dance in the Big Bend

A dance in the Big Bend. Photograph copyright Robert Hart

Why do I love the Big Bend in Texas? The people who live there, and the there. This photograph shows a dance held under the stars near Terlingua, on the Mexican border, the setting for most of the opening sequences of Wim Wender’s “Paris, Texas,” which I re-watched recently. Harry Dean Stanton, who was a soft, dark angel back then, and Dean Stockwell, who worked his ass off holding the film together. Wender’s? Who knows… But Sam Shepard wrote the script, which, I think, was really about his father, his lost-father, who dominates Shepard’s muse-land. For more Big Bend photographs, see Robert Hart’s website.


The Past is Always Right Here, James Newton

Marci Newton, left, me, top, James bottom, LeAnn, right.

Marcy Newton, left, me, top, James, bottom, LeAnn, right.

James Newton is a giant in my life. He kept me alive in the 80s & 90s. I saw his Facebook page for the first time this week, and he had posted two pictures of me. What does it bring back? Hot late nights, cooking steaks on an outside makeshift grill, poems, songs, spinning vinyl records, constant calibration of young, raw, natural energy. A knowledge it could never be repeated. I think of you always and forever, James, my brother.

Maybe the mid-80s my study in Arlington.

Maybe the mid-80s in my study in Arlington.

On James’ Birthday

(Mid-80s) 

Unwrap this, it’s for you

to take along on your search

for the perfect back beat

and still sea.

On this still-light morning

breaths draw slowly.

Sleeping bodies throughout

the house, too much drink

last night. The still cat

sits in the window sill

staring outside.

Beyond is the Great Outdoors

but what is it?

In last night’s dream

there was a man with

three hooks piercing his

chest, bound and hanging

on a swaying rope.

Is he you and me?

Now comes the first morning sound.

A bird feeling the Sun

on its tongue on another

moment of birth.

 

 


Partying With the Shan Army

 

photograph by Sam Jam

photograph by Sam Jam

 

My friend Daniel Otis, a writer now living in Cambodia, spent almost a month in northeastern Myanmar in February, mostly reporting on the Shan Army. He’s written an insightful, revealing story that appeared in Vice, with various other versions for different publications. Sam Jam, a photographer, took great photographs of the trip. The days were marked with military drills and parades. At night, the rebel army’s rock and roll band took to the stage for raucous booze-fuelled concerts. To get a look at Dan’s writing, see his website Exhaust and Incense here. The Vice story is here.

 

Daniel Otis

Daniel Otis, in Cambodia.


‘Decoded’ By Mai Jia

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I started reading the first pages of “Decoded” on Amazon’s “Look Inside,” and I couldn’t stop reading. The eighth novel by Chinese writer Mai Jia, and the first to be translated into English, it’s about the line between insanity and genius. It unfolds around the life of a young, genius mathematician who is recruited to work in a secret code breaking unit. Around its edges, it flirts with the spy genre but at its core it’s a character study: of a family and of a wide range of gifted people who live in the world of the mind in a way that’s foreign to ordinary people. I immediately ordered this book, and I’ll look forward to more translations by this writer. Here’s a short interview with him in the Wall Street Journal, and also a link to the book on Amazon. Give the first 20 pages a read. It may grip you like it did me…


Frank X. Tolbert 2: His Art

My friend Frank X. Tolbert has always been one of my  heroes, and I’ve missed him a lot in recent years. He lives in Houston. His father was a famous journalist with the Dallas Morning News. Frank is one of those people who nourishes your soul when you’re around him, and he doesn’t have any clue what he’s giving to you. Frank and I shared a friendship with a man who was a hero to both of us: Roxy Gordon, a writer, poet, and another one of those people who give you things without knowing it.

Here’s a few samples of Frank’s work. See his Facebook website here for a taste of X’s style. See more of his art here.

Frank X. Tolbert, standing on the right, with one of his large paintings in the background.

Frank X. Tolbert, standing on the left, with one of his large paintings in the background.

Frank, on the right, with an artist friend

Frank, on the right, with an artist friend

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A painting of Roxy Gordon by Georgia Stafford.

A painting of Roxy Gordon by Georgia Stafford.

Go here to see a sample of some of Roxy Gordon’s poems and writing and check him out on Amazon for some CDs of his poetry-songs. Note the death mask in the right corner.


Updike Redux

Our suburban Henry Miller

Our suburban Henry Miller

John Updike’s literary stock, amazingly, fluctuates up and down. He was our disguised, suburban Henry Miller. He wasn’t interested in becoming a persona in his work, but he opened up the eroticism of the 60s and 70s. Some critics and writers rate him below his peers, usually citing his lack of angst, the jewel-like prose, and the ease with which his massive body of 26 novels, 18 short story collections, 12 collections of poetry, 4 children’s books, and 12 collections of non-fiction flowed from his pen. His fictional landscape has no peer, covering as it does detailed reports of American, white middle-class consciousness. His public persona and mild manners were camouflage for a deeply romantic, sexually aroused soul, which Adam Begley captures in a new biography, Updike. Also, here’s an interview with Begley, whose book has received tremendous reviews. I can’t wait for a volume of Updike letters. Updike clearly deserved the Nobel Prize for Literature, but, alas, for many people in the literary game it takes decades to see the true meaning of a writer’s work. Unfortunately, he, Mailer and Roth were not honoured, but their work, along with Bellow’s, will stand with the books of the earlier American greats: Hemingway, Faulkner, Fitzgerald… The last century of American literature overflowed with great writers who showed us America.

Begley is good on Updike’s prose style: “Aside from his enormous talents and Protestant work ethic, Updike’s defining characteristic is his signature style, which he owes to his desire to be a graphic artist, and to his stunningly visual memory. Like Proust, like Nabokov and like Henry Green, all of whom influenced him, Updike wrote sentences that work through the precise meeting of visual detail and verbal accuracy.”

See also this essential review of Begley’s biography, and Updike’s persona, by Louis Menand in The New Yorker here.

 


Wash Away Sins: Songkran

Songkran: A festival celebrating the traditional Thai New Year, held in April, and marked by the throwing and sprinkling of water on young and old. Festive banners marking the months of the Chinese Zodiac, a scheme and systematic plan of future action, that relates each year to an animal and its reputed attributes, according to a 12-year cycle.  IPhone photograph

Songkran: A festival celebrating the traditional Thai New Year, held in April, and marked by the throwing and sprinkling of water on young and old. Festive banners marking the Chinese Zodiac, a scheme and systematic plan of future action that relates each year to an animal and its reputed attributes based on a 12-year cycle.
IPhone photograph


The Mekong: Two For One

Photograph by Roy Hamric  The Mekong River near Chiang Khong. Laos is on the far shore.

The Mekong River near Chiang Khong. Laos is on the far shore. Photograph by Roy Hamric


Joshu’s Dog in East Texas

empty_circle_&_dog copy         Photograph copyright Roy Hamric

     Does a dog have Buddha nature?
This is a matter of life and death.
If you say yes or no,
You lose your mind and body!

  – Mumon


Ry Cooder’s No-Border Music

Flaco Jaminez and Ry Cooder

Flaco Jimenez and Ry Cooder

Ry Cooder has  a mystical connection to Tex-Mex border music and his original songs and themes for movies such as Paris, Texas; The Border and Alamo Bay raised the visual images to another level. Here’s a live concert he did with Flaco Jimenez and others at the Catalyst in Santa Cruz in 1987. It’s not Tex-Mex, but it sorta is; it’s not rock, but it sorta is; it’s not soul, but it sorta is; it’s not gospel, but it sorta is, it’s not blues, but it sorta is, it’s not folk, but it sorta is. It’s no-border music, everything together guided by Cooder’s sense of what drives music at a fundamental level. Flaco is wide open in this concert: you can see him feeling the music.

The lyrics to  Across the Borderline (from The Border, staring Jack Nicholson) are great (Buddhist/Zen) poetry. Here’s Cooder’s version of Across the Borderline, and Freddy Fender’s version (who sang it in the movie) and the lyrics:

There’s a land, so I’ve been told / Every street is paved with gold / And it’s just across the borderline / And when it’s time to take your turn / Here’s a lesson you must learn / You could lose more than you ever hope to find / And when you reach the broken promised land / Every dream slips though your hand / Then you’ll know it’s too late to change your mind / ‘Cause you pay the price to come this far / Just to wind up where you are / And you’re still just across the borderline / Up and down The Rio Grande / A thousand foot prints in the sand / Reveal the secret no one can define  / The river flows on like a breath / In between our life and death / Tell me who the next to cross the borderline / And when you reach the broken promised land / Every dream slips through your hand / Then you’ll know it’s too late to change your mind / Cause you pay the price to come this far / Just to wind up where you are / And you’re still just across the borderline

Thank you John Dycus for reminding me about Cooder’s amazing work and recommending this concert film by Les Banks.